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English Keyboard Concertos 1740–1815

£111.00

Edited by Peter Lynan
First published in 2013
Pages: 432
Format: Hardback
Dimensions (mm): 330 x 254 x 37

Ref: MB94 ISBN: 9780852499276 ISMN: 9790220223419 Categories: , , , , , ,

Description

This anthology presents organ, harpsichord and piano concertos – the majority not hitherto published in modern editions – by Handel’s contemporaries and successors, including works by Felton, Cooke, William Hayes, Arne, Chilcot, Philip Hayes, Hook, Rush, Stanley, Charles Wesley, Crotch, Samuel Wesley and Russell, from among the 200 examples surviving from the period c.1740–c.1815. Among the most versatile genres of the time, it found popularity in pleasure garden, theatre, concert room and the home. The contents of this volume show the form adapting well to the stylistic evolutions of the period from late Baroque via continental gallant styles to a mature Classical style, though retaining a strong native tradition linked with Handelian oratorio in the idiomatic distinction between virtuoso piano concerto and concertos for organ.

Further information…(PDF)

Contents

CONTENTS
William Felton: Concerto op. 1 no. 1 in C major (1744)
Benjamin Cooke: Concerto in D major (1749)
William Hayes: Concerto in D major (1755)
Thomas Arne: Concerto no. 5 in G minor (by 1755?)
Philip Hayes: Concerto no. 3 in F major (1769)
Thomas Chilcot: Concerto set 1 no. 2 in A minor (1756)
James Hook: Concerto no. 1 in C major (1771)
George Rush: Concerto in B flat major (1773)
John Stanley: Concerto op. 10 no. 4 in C minor (1775)
Charles Wesley: Concerto set 3 no. 2 in E major (1778)
William Crotch: Concerto no. 2 in A major (?1801)
Samuel Wesley: Concerto in D major (1800 rev. 1809/10)
William Russell: Concerto in G major (1810)

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